The second perfume that a company releases is often the hardest to truly crack, because you’re riding on the success of the first but trying to stretch your creative horizons. Finding the middle ground in the battle between being too safe and too divergent becomes the scented goal. There have been many examples of the follow-up fragrance not hitting the mark, and so hearing that Leonie Sherif was releasing Twilight, her second fragrance, brought feelings of excitement and trepidation in equal measure. This songbird is no stranger to experimenting with musical chords, but would the perfumed ones be just as accommodating?
The link between music and perfume is one that is constantly referenced in today’s fragrances but, to be honest, those creative and academic similarities have been around since the very first scent was put in the very first bottle. Whether it’s the cross-over in terms of words like “notes” and “chords” or the naming of the “perfumer’s organ”, the intertwining of these two creative industries is clear to see. It’s not surprising then that some people have a foot in both camps, and strive to forge closer bonds between them. Leonie Sherif is the latest to try her hand, and her Venus perfume promises to “unlock the energy within”.
