January has been a vintage month for me this year with a chance to revisit some excellent fragrances that are sadly fading from peoples’ memories. This review is no different, but it’s a perfume that also holds family memories. When it launched I don’t think that anybody could have imagined just how successful it would become, and also how quickly its original origin would become buried beneath a copywriter’s vision. I’m talking about Soir de Paris, or Evening In Paris to give it its original name. Released by Bourjois in 1928, let me take you back ninety years and introduce you to this legendary scent.
Showing posts with label Ernest Beaux. Show all posts
Showing posts with label Ernest Beaux. Show all posts
Monday, 29 January 2018
Thursday, 12 October 2017
GUERLAIN'S RUSSIA
Guerlain has always enjoyed an unparalleled affection amongst perfume fans and part of this is the continuing transparency that they are displaying in their current releases, and also in the rewriting of parts of its history. Over time a "good story" can cover up the true facts and it is refreshing to see these being peeled away piece by piece. As part of this openness, Guerlain allowed Thierry Wasser and Frédéric Sacone’s vintage recreations to be made available to smell at the Champs Elysees boutique and this means that we can travel to Russia, via France, and discover Impérial Russe and Cuir de Russie.
Thursday, 4 May 2017
The Age Of Transparency
"Transparency" is a word that you often hear mentioned when it comes to the perfume industry. For many years perfume houses would release fragrances under their own name, or assign them to an in-house "nose", when they had actually been created by an outside company. This wasn't done maliciously; it was just the way the industry worked. Customers were not particularly interested in who had made the juice in the bottle, just that it came with their favourite company's logo on the glass. Of course there had always been fans that wanted to know every detail but it’s only recently that "transparency" has become the industry's key word.
Labels:
Bourjois,
Dior,
Ernest Beaux,
Estée Lauder,
Firmenich,
Fragrance Foundation,
Givaudan,
Guerlain,
IFF,
Jo Malone,
L'Occitane,
No.5,
Parfums Chanel,
Robertet,
Soir De Paris,
Sylvaine Delacourte,
Symrise,
YSL
Thursday, 9 March 2017
Is Being "On Trend" Really The Enemy?
The perfume industry is the same as any other industry in the twenty first century, it has to move quickly and follow trends. Yes, there are some companies who actively try to go head to head with customer’s expectations and these are to be applauded. They offer a beacon in a sea of similarity but in all honesty, and I know that I will get shouted at for saying this, is there really a problem with companies taking the lead off their competitors? The powerhouse that is Lancôme’s La Vie Est Belle has spawned multiple “homages” but so did Chanel’s No.5. So, are we being too harsh on an industry where being "on trend" is nothing new?
Labels:
Anne Flipo,
Chanel,
Chiris,
Coty,
Dominique Ropion,
Ernest Beaux,
Guerlain,
L'Aimant,
La Vie Est Belle,
Lancôme,
Mon Exclusif,
Mon Guerlain,
Olivier Polge,
Thierry Wasser,
Vincent Roubert
Monday, 15 August 2016
CHANEL No.5 L'EAU by Olivier Polge
When it was announced in May that Chanel were going to launch a new interpretation of their classic No.5 the internet went crazy. You had praise and damnation in almost equal measure, and nobody had even smelled it at that point. Created by the new nose of Chanel, Olivier Polge, for some it seemed a step too far, we already had Eau Premiere, whilst to others the news was greeted with fan club enthusiasm. With an approaching UK launch date of September 1st I think it's time to see if Chanel No.5 L'Eau really is a new interpretation for a new generation, or merely a dilution of the brand's heritage.
Thursday, 14 July 2016
NATURAL v SYNTHETIC
Every couple of weeks you see the same topic raise its weary head again. I say "weary" because you always get the same points presented by both sides and neither will budge in their dogmatic opinion. They each try to win an argument that is fundamentally based on the misconception that natural is always good and synthetic is always bad. I've lost count of the number of times that I've heard "everything smells synthetic these days". So, for the final time, naturals and synthetics each have their own place and when used in combination can create truly mind-blowing fragrances. Still don't believe me?
Thursday, 17 December 2015
L'AIMANT - 88 And Not Out!
When Gabrielle Chanel launched her famous No5 in 1921 she could never have imagined the effect that it would have on the perfume industry, although her fierce determination would certainly have wanted it to be an international success. What Ernest Beaux's perfume did was to create a completely new category of scents, the Aldehydic Floral. Aldehydes were nothing new, Guerlain had used them in the 1889 Iris Blanc, but what was groundbreaking was using them in such large quantities. Now, copying successful perfumes was commonplace, even then, but let's take a look at the one that almost destroyed No5 ... L'Aimant by Coty.
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